It becomes an interesting indisputable fact that usually most favored subculture is cooked up by somebody who seeks profit only, and after that is fed with a hungry young crowd of fans. This is not always true in Japan, though. The art is made for the art’s sake ‘s what comic market followers are longing for.
Yoshishiro Yonezawa, a novelist, critic along with a passionate supporter of popular manga subculture, invented a solid idea of founding an enterprise, market that is open for all your non-professional manga artists who form their particular circles called doujinshis to make manga mimic artwork and magazines (which are called doujinshis, too). The thought became very well liked as Comiket, the largest comic market on the planet, takes place in Japan twice yearly for several days in a row whenever during winter along with summer. There are more than 35 thousand circles collaborating as well as over half one million attendees.
It is a space where freedom of expression is preached on the massive, and organizers never dreamed of so large a success with their creation. Before Comiket, teenagers who studied in high school or university, took part in comic markets as amateurs, and ceased to participate after graduation. However in mid-seventies this changed drastically. It came into existence not really a hobby, however a lifetime passion, as much artists got appreciation and followers because of a growing rise in popularity of doujinshi phenomenon. There are many than 2,000 doujinshi markets taking place in Japan each and every year, and Comiket is certainly the most famous one.
The idea have spread beyond Japan as comic markets opened in Taiwan, Korea, Hong Kong, China as well as United States. The volume of doujinshi circles mushroomed as markets provided great opportunities to get a great number of amateur artists and mangakas (manga artists).
In the beginning the predominant section of doujinshis creators were women, about 80 percent. Within the 1980s more males became interested, and today the ratio appears to be favor female artists only slightly.
We conclude that doujinshi is often a visual cultural phenomenon that is shaped mostly by youth, yet its meaning and consequences have global importance.
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