Doujinshi As Remarkable Vision Sub-Culture

It becomes an interesting undeniable fact that usually hottest subculture is cooked up by someone that seeks profit only, and after that is fed to a hungry young crowd of fans. This isn’t always true in Japan, though. The skill is made for the art’s sake is exactly what comic market followers are craving for.

Yoshishiro Yonezawa, a novelist, critic plus a passionate supporter of popular manga subculture, created an idea of founding a company, an industry which is to be open for all the non-professional manga artists who form their very own circles called doujinshis to generate manga mimic artwork and magazines (which might be called doujinshis, too). The thought became extremely popular as Comiket, the largest comic market on earth, is held in Japan every six months for 3 days consecutively each and every time in the wintertime plus summer. There are more than 35 thousand circles participating as well as sudden expenses one million attendees.

It’s a space where freedom of expression is preached on the massive, and organizers never dreamed of so large a success of their creation. Before Comiket, young adults who studied in high school or university, taken part in comic markets as amateurs, and ceased to sign up after graduation. But in mid-seventies this changed drastically. It was not only a hobby, however a lifetime passion, as many artists got appreciation and followers because of growing interest in doujinshi phenomenon. There are many than 2,000 doujinshi markets occurring in Japan every year, and Comiket is certainly the most popular one.

The idea have spread beyond Japan as comic markets opened in Taiwan, Korea, Hong Kong, China as well as United states of america. The volume of doujinshi circles mushroomed as markets provided great opportunities to get a many amateur artists and mangakas (manga artists).

In the beginning the predominant portion of doujinshis creators were women, about 80 %. In the 1980s more males became interested, and today the ratio appears to favor female artists only slightly.
We conclude that doujinshi can be a visual cultural phenomenon that is shaped mostly by youth, yet its meaning and consequences are of global importance.

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